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Working In The Recording Studio


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Working in the recording studio was a lot more of a collaborative effort than I thought it would be. You get this idea in your head that a producer gets hired by a band or an artist and then they do everything that they tell them to do and that’s the end of it.

It’s a lot more of a combination of creative ideas than that. Jesse (my mentor) and I found ourselves changing a vocal progression in melodine, incorporating electronic elements with plug-ins like Omnisphere and Scylinth, doing a stutter effect on an instrument before a transition, EQing instruments so that they’d sit better together in a mix. The engineer determines so much of the outcome of a song.

At the same time it’s a very laid back environment. The more comfortable the artist is with the engineer, the more receptive they’re going to be to suggestions. In all likelihood, you won’t have to do as many takes either.

Our Approach to Education

We are not like ordinary audio or trade schools. We don’t waste your time in classrooms. This is the world of audio. Everything you need to know should be taught in the real world. We are unique, out-of-the-box thinkers. After over 3 decades service—we have the formula that works:

Private Mentor in Professional Recording Studio
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Faculty: Private Academic Facilitator
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Online, Interactive Curriculum
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Meaningful Industry Connections
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Hands-on Learning in a Recording Studio (Not a College Classroom)
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