This is your Real Reno In-Studio Education

Background

Luis Pacheco is a mixing, recording, and audio engineer based in Las Vegas, Nevada who has worked with a wide range of artists from within the world of EDM and beyond, including, Rain Man (signed on Dim Mak), Jon Bellion, and Jason Derulo.

Also a highly experienced educator in various DAWs (Digital Audio Workstations) including Pro Tools and Ableton, Pacheco is a consummate believer in the power of experimentation, hard work, and having a positive and professional mindset. A kinesthetic learner himself, he believes in empowering his students to “learn by doing” and even messing up from time to time.

An opportunity-seeking, productive mindset, having solid communication skills, and knowing how to work with fellow artists and music producers are just a few of the abilities Pacheco works to engrain in his students. Recent graduates have gone on to launch careers in Los Angeles and in famous venues.

Articles

Luis Pacheco on the Sanctity of the Creative Bubble

Background

Talbot Snow has more titles than will fit on a normal business card. Musician, Producer, Director, Sound Engineer, Photographer, Videographer, Dishwasher, and the list goes on. So how did he come to wear so many hats?It comes from a lifetime of being absorbed in art and music. It started when Talbot was a boy, growing up – first in New Zealand, then later, developing his artistic abilities in Las Vegas. During his teenage years, he transitioned from the piano to electronic music and discovered his affinity for electronics and sound equipment.In the mid 80’s, Talbot took out a small loan, and started his first recording studio. Sound Masters of Las Vegas was born, and some of Talbot’s lifelong ambitions were beginning to materialize. Dubbed Sound Masters: Studio One, this first studio was home to Talbot and thousands of different music-projects spanning many years.

Several years later, Talbot started construction on Sound Masters (SMLV): Studio Two, the current primary location of Sound Masters. The space is large enough to house his entire collection of state-of-the-art and vintage sound equipment, and can accommodate varying musical acts—from a single vocalist to an entire band. At the same time, and after repeated requests from his clients, Talbot expanded his business to include Photography, Video, Graphic and Web Design. Being the gear junkie that he is, Talbot researched extensively for the best cameras and lighting equipment available. After much practice and trial and error, he has become an outstanding photographer and producer of some of the hottest local music videos and commercials around.

But Talbot isn’t finished. His sights have now turned to the next evolution of the Sound Masters space – an entire building filled with multiple studios, a sound stage, even a nightclub. He sees it as a multimedia circus under one roof, where artists can work… and even live. And given that this Kiwi has already progressed from mild-mannered singer to high school rocker to renowned producer, no one should doubt that he’ll bring his new vision to life.

Background

Recording Connection mentor Bobby Ferrari, one of the key players behind Vegas View Recording in Henderson, Nevada, has worked with everyone from Three Dog Night to Bobby Day. Today, along with his producing and engineering duties, he helps up-and-coming audio engineers get going as externs at the opulent 2,500-sq-ft recording and mixing studio, located just 20 minutes outside of downtown Vegas.

Articles

Recording Connection mentor Bobby Ferrari talks Building Catalog and Connections

Background

Learn from Recording Connection mentor Steve Catizone or one of our mentors in the greater Boston area.

Steve Catizone at Infinite Music in Charlestown has worked with some of the biggest names in the industry across several genres. U2 and Justin Bieber, Billy Crystal and Bob Saget, and Disney and M-Audio. And while he knows his way around a studio, knowing your way around a client is just as important.

Every recording professional had their first gig at some point. The adrenaline gets pumping, you could be working with a star, and you might start overcompensating.

Chill.

“Don’t be too opinionated when you’re talking to the clients,” Catizone said. “Just sort of listen and absorb. See what the climate in the room is, and make sure that if you do say something, it’s tactful.”

And relax. You could be a master of your craft, but if you don’t have a good repertoire with your clients, no one will want to work with you. Learn how to read the room, develop solid relationships, and remember it’s a collaborative effort. The “hang-ability” will follow.

“If people enjoy having you in the room, it’s a big thing,” Catizone said. “A lot of that comes down to personality and basically just being a positive force in the room, and being creative, and knowing when to offer up ideas and how to tactfully do so, and knowing when to not be the guy ‘doing your job’ but just being cool to hang around with.”

This is the advantage of the Charlestown Recording Connection programs. Yes, you’ll learn the technical side of the recording industry, but you’ll also learn how to handle yourself while in the studio. We believe the one-on-one time with a professional mentor gives you a complete picture of the business.

That’s what sets us apart from the traditional method of learning. The sights, smells, and sounds of a real studio can’t be matched in a classroom.

Articles

Recording Connection mentor Steve Catizone on creating opportunities for his students
Recording Connection mentor Steve Catizone talks studio etiquette

Background

Learn from Recording Connection mentor Bernard Johnson or one of our mentors in the greater San Diego area.

Bernard Johnson didn’t follow the usual path to becoming a Recording Connection mentor in El Cajon, Ca. He discovered a love of mass media as a 14-year-old, entering a certification program to find out how it all came together.

After finishing the program, he began co-producing a top-ten music show in Detroit and received an award for exemplary airwave checks from the Michigan Broadcast Association. Then his career took a turn: Johnson entered the military.

After a 20-year career in the military, often leading departments with 90 people, Johnson returned to what he loved as a teenager, earning a masters in audio production. While the military can be quite regimented, Johnson was attracted to the freeform method of instruction that Recording Connection offered students. As he knows better than most, the standard course isn’t always the best course.

“When I saw (Recording Connection) model, I was like, ‘Wow, this is it. I love it.’” Johnson said. “And it allows students to have the opportunity not to feel cemented to something like, ‘This is what you need to do, this is the direction and the route you need to do it.’”

The Recording Connection Program gives you access to a professional engineer, fully-functioning studio, and hands-on education, it could also earn you a career. The Noize Factory is a perfect example of that: Johnson hired one of his former students (Efrain Matias) as a staff engineer.

But you have to work for it. Recording Connection students must be willing to put in the time, effort, and focus to get the most out of it. Johnson expects nothing less.

“I do want to say commitment, passion, perseverance, and finishing until the end,” Johnson said. “They’re not just doing something for money or just doing it ‘just because.’ They’re literally passionate about it.”

Articles

Recording Connection mentor Bernard ‘IQue’ Johnson Shares His Smarts & Hires from Within!
Recording Connection grad Goes to NAMM, Gets Hired, Gets Going in Audio!

Background

Learn from Recording Connection mentor Joey Heier or one of our mentors in the New Brunswick area.

Audio engineer and studio owner Joey Heier has been in the business of making music for decades. With a client list that includes names like Christina Aguilera, B.o.B., Jill Scott, and Dru Hill, Joey knows what it takes to work in music. Furthermore, he has a zeal for sharing his passion for audio with newcomers.

So much so, that he’s gotten the nickname “Uncle Joey” from our students. He maintains contact with literally dozens of our graduates, many of whom have gone on to build great careers in the music industry.

We recently asked Joey Heier why he loves mentoring for Recording Connection. Here’s what he said:

“It’s a tremendous passion for me. I enjoy doing this so much. I have a style that I believe in. I talk with my students about a textbook answer that they’re probably going to forget immediately, and then give them an ‘Uncle Joe’ definition that’s two or three words that they’re going to remember immediately. Then they’re going to understand what the textbook definition is by hearing it in a simpler fashion.

“I have great kids that come in and really, really want to do this… I have an outstanding job, and there’s no reason why I shouldn’t do it with a smile. And that doesn’t happen with every kid, naturally—it really depends if they want to do it. But if they want to do it, I am so honored to have the opportunity to teach, and I think that’s why it works well for me.”

Articles

NUGGETS OF TRUTH: Recording Connection mentor Joey (“Uncle Joe”) Heier talks about the importance of hands-on training and his passion for teaching

Background

Learn from Recording Connection mentor Aaron R. Reppert or one of our mentors in the greater St. Louis area.

Originally founded in 2000 by Recording Connection mentor Aaron R. Reppert, TravSonic Sound & Media has grown a lot since its early, humble beginnings. TravSonic Mobile, established in 2009, caters to a number of high profile clients in music, technology, the arts, and the corporate world. The thriving company offers a range of remote recording technologies and services for seminar, concerts, festivals, and events.

Today, TravSonic Sound & Media is an award-winning, full-service media production company serving clients from its Nashville and Overland offices.

Background

Learn from Recording Connection mentor Rick Carson or one of our mentors in the greater Lincoln area.

Recording Connection mentor engineer/producer Rick Carson has a passion for teaching today’s rising talents in the world of audio. Designed by famous recording studio designer, Rod Gervais, his studio features three control rooms, world-class equipment, and has the distinction of having Nebraska’s only large format SSL mixing console.

Articles

A Day in the Life of Our Students
A Day in the Life of Our Students

Background

Learn from Recording Connection mentors Parker Ament and Danny Howard or one of our mentors in the greater LA area.

Recording Connection mentors Parker Ament and Danny Howard are up to the minute music producers, audio engineers, and entrepreneurs who know how to navigate the music industry in the 21st Century. Besides working with artists like Omarion, Todrick Hall, and Lauren Chase, they create great sound design tutorials on their popular YouTube channel.

Background

Recording Connection mentor Jason Phelps is an audio engineer, producer, and musician who’s been involved in music all his life. He’s downright passionate about recording, producing, and teaching the next generation of music industry professionals. He expects the externs he trains to bring their A-game, and to listen and learn in a proactive manner.

Background

Learn from Recording Connection mentor Ross Vanderslice or one of our mentors in the St. Louis area.

An engineer since 2001, Ross Vanderslice has worked with some of the biggest names in the recording industry. The experience he’s gained works perfectly with what we do at Recording Connection: pairing externs with seasoned professionals for invaluable one-on-one time with a mentor.

With multiple studios and state-of-the-art equipment, Vanderslice has worked with several Recording Connection externs. Doing it right is about so much more than having the right gear, software, or equipment. Because of his experience working with internationally-known acts, Vanderslice knows how to work with artists, how to make them feel comfortable and safe within the studio environment.

Here are some of the clients with whom Vanderslice and/or the professional audio engineers at his studio have worked: