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Background

The End is a one-of-a-kind recording studio located waterfront and ,parkfront in Brooklyn, New York. We are full-service offering recording, mixing, mastering and writing/production space.

Background

In October 1988 the studio opened on Shelter Island, two hours east of NYC. Producer/ engineer Steve Addabbo purchased all of the equipment from a well respected east side studio that was closing and set up the studio in the basement of his home. The timing was perfect, Steve had just had a huge success with Suzanne Vega’s “Solitude Standing” album and Shawn Colvin had just been signed to Columbia records. Steve and the studio began working on Colvin’s debut album, “Steady On”(a Grammy Winner), Eric Andersen’s classic, “Ghosts Upon the Road” and other major label and indy projects.

Now in its 27th year of operation, the studio continues to be a vital part of the New York recording and mixing scene.

Articles

RC Graduate Michael Gevaza starts label Electric Giant!

Background

My name is Mike Hemberger, also known as Jive The Universal or JiveDig. I was born and bred in NJ and have spent over a decade in various roles throughout the music scene. I began my music career as a teenager playing guitar, bass, singing and playing in several bands, all the while pushing myself as a solo hip-hop artist. I went to a local college and earned a degree in Music Theory and Music Technology. Right out of school I purchased Pro Tools, a Mac and a bunch of studio gear. I haven’t looked back since.

Background

Ben Elliott has recorded, mixed and produced artists for over 25 years. As co-owner of Showplace Studios, Ben possesses one of the largest collections of vintage and analog gear, in the world. He is known for his expertise in diverse musical genres, having recorded classic artists such as Eric Clapton and Keith Richards (for whom, among other projects, he recorded and mixed “You Win Again” featured on Timeless, the Grammy-winning all-star tribute to Hank Williams).Ben has also recorded and/or mixed albums for Leslie West and Mountain, Peter Green, Mick Taylor, Savoy Brown, Jack Bruce and many other rock artists. In the blues genre he was associate producer and engineer on the Hubert Sumlin’s Grammy Award nominated record About Them Shoes featuring legends James Cotton, Willie “Big Eyes” Smith, Paul Oscher and Bob Margolin of Muddy Waters’ band, as well as Levon Helm of The Band. Additionally, Ben has worked with jazz artists including Al Caiola, Sonny Fortune, Louis Hayes, Bucky Pizzarelli, and Bill Easley and has mixed a series of Live at the Blue Note albums. He has also worked on tracks with Rock, Latin and R&B artists including Steve Miller, Billy F. Gibbons, Nokie Edwards, Warren Haynes, José Feliciano, Luther Vandross, Ben E. King and Bernard Purdie, and contemporary bands such as Clutch, the Henry Rollins Band and Robert Randolph. Throughout the years, Ben has gained experience from working with top producer/engineers such as Rob Fraboni, Eddie Kramer, Andy Wallace, Jason Corsaro and Joe Barresi.
As co-owner of Showplace Music Productions, Ben is currently producing/directing multiple projects, including Lou Pallo’s star-studded recording and documentary tribute to guitar innovator and inventor, Les Paul, plus a unique collaboration of Italian guitar giants, titled Jersey Guitar Mafia.

Background

SSR Recording Studio is a state of the art, multi-track facility located near Smithville, New Jersey. SSR is owned and operated by Bob Fowler and is where Fowler and Branca record their music. In addition to utilizing the latest music software and instrument plug-ins, the studio boasts a collection of rare and highly prized microphones. With an enclosed drum room, tracking room, and nicely sized control room, SSR is capable of accommodating full band sessions.

Background

Justin has been recording and mixing professionally for over 10 years. He has worked with hundreds of artists spanning many genres including various notable clients. Originally a Kansas City native, Justin lived and worked in Brooklyn, New York for 5 years. In New York, he worked as a staff engineer at Translator Audio and staff engineer/manager at The Audio Parlour Brooklyn. Justin returns to NYC a few times a year to work on projects.

Background

Shane Anderson is a seasoned music industry veteran. With over 20+ years in the music industry Shane has vast experience in production, recording, mixing and mastering as well as the ins and outs of the music business. Shane began his musical career in his early teens as a demo vocalist for labels and also as a sound engineer for the MUZAK corporation. At age 18 he opened his first studio location in Honolulu, HI called “Unique Studios” and oversaw the daily operations of the recording studio as well as landing several indie label deals and distribution agreements while in Hawaii working with local talent. In 2009 Shane released a solo album titled “Dangerous”. This album took off online primarily on MYSPACE and gained much success with over 2.5 Million plays worldwide landing him on BILLBOARD NEWSWIRE and ultimately landing him several placements on TV shows to include “The Kardashians” “MTV” “E- Networks” and Oxygen to name a few.

Shane moved down to Los Angeles 2010 where he formed with his long-time high school friend a production company called “The Go Gettas” where he continued to build on his credits and catalog working with artist who have been on American Idol, X Factor, Dancing with The Stars and Disney to name a few. After landing multiple placements in Film/TV Shane relocated to the Sacramento area in 2016 to build on Unique Recording Studios and help bridge the gap between artist and the industry.

Shane runs Unique Recording Studios as a production label, distribution company and recording studio for artist to create and focus on their art. Unique Recording Studios has also newly launched an exciting new venture at URS called “The Collective” which will allow producers, engineers, songwriters and artist to collaborate in house at Unique Recording Studios to work together to create music and promote building a large collaborative catalog of music to submit to labels, publishers, music supervisors and overall decision makers in the music industry. This will provide a great opportunity for students who complete their coursework at the recording connection.

Articles

Unique Recording Studios

Background

Donny Baker of ES Audio in Los Angeles, CA has decades of experience in the music industry, both in studio and behind the console. He spent 13 years working as a touring engineer for some of music’s most influential and dynamic artists including: Madonna, Chick Corea, Aerosmith, Herbie Hancock, and more. Donny then moved his talents into the sphere of recording and audio engineering production at ES Audio alongside CEO and studio owner Jo Ann Bush.

As a Recording Connection mentor for more than 16 years, Donny’s passionate about helping tomorrow’s audio engineers, music producers, and music industry professionals discover the very thing that sets them on fire, and use their passion along with the insight Donny’s able to provide to create a solid game plan for building their careers.

As a result of their hard work and the expert training and experience they’ve been able to receive through our mentor-led programs, a great number of Donny’s former Recording Connection students have gone on build amazing careers for themselves:

Taylor Crommie recently recorded and mixed for DJ Paul (of Three 6 Mafia). Other artists include: Kembe X, Jay Rock, Wifi Funeral, YelaWolf, Lance Skiiwalker, Eric Hudson, Rob Vicious, and Reddish Blu.

Uriel Soto Jr. aka “Junior” got hired full-time at ES Audio (DJ Paul, Yelawolf, Yung Gravy). Now, Uriel is also a Recording Connection mentor.

Skyler Felix went on to work with Disney and VH1. Credits also include a top-10 record on the UK dance charts.

Morning Estrada has recently engineered for Aminé, Rosalía, Brandy, Trinidad James, Tech N9NE, Jessie J, and more.

Articles

Video: What to expect with Donny Baker
Helping students find their place
NUGGETS OF TRUTH: Recording Connection mentor Donny Baker on what it takes to make it in recording
JoAnn Bush, owner of ES Audio in Los Angeles

Background

Learn from Recording Connection mentor Zack Phillips or one of our mentors in the Bay Area.

Discovering his love of music while growing up in New York City in the ‘80s, Zack Phillips’ approach to music is “part science, part mysticism.” Gaining experience as a DJ and live sound engineer, Phillips received a formal education in audio engineering.

From there, Phillips honed his craft working at several studios before finally establishing his own studio: FreqLab Recording. In addition to recording, editing, mixing, and production, Phillips also works on developing the artists he works with, exploring innovative and inventive ways of engineering audio. Phillips has worked with a wide range of artists, including Talib Kweli, The Kooks, and Blue Hawaii.

You’ll be working in a state-of-the-art facility renovated by Phillips himself. While he made sure to design the studio to get the most out of the space, he also wanted to make it as comfortable as possible for engineers and artists alike.

If you study at the San Francisco Recording Connection, you’ll be working with people as passionate about music as you are. Up and comers, established stars, and other entertainment entities such as Comedy Central or Electronic Arts. But you won’t be watching TV or playing video games – you’ll be coming to work hard every day.

Background

Learn from Recording Connection mentor Steve Catizone or one of our mentors in the greater Boston area.

Steve Catizone at Infinite Recording has worked with some of the biggest names in the industry across several genres. U2 and Justin Bieber, Billy Crystal and Bob Saget, and Disney and M-Audio. And while he knows his way around a studio, knowing your way around a client is just as important.

Every recording professional had their first gig at some point. The adrenaline gets pumping, you could be working with a star, and you might start overcompensating.

Chill.

“Don’t be too opinionated when you’re talking to the clients,” Catizone said. “Just sort of listen and absorb. See what the climate in the room is, and make sure that if you do say something, it’s tactful.”

And relax. You could be a master of your craft, but if you don’t have a good repertoire with your clients, no one will want to work with you. Learn how to read the room, develop solid relationships, and remember it’s a collaborative effort. The “hang-ability” will follow.

“If people enjoy having you in the room, it’s a big thing,” Catizone said. “A lot of that comes down to personality and basically just being a positive force in the room, and being creative, and knowing when to offer up ideas and how to tactfully do so, and knowing when to not be the guy ‘doing your job’ but just being cool to hang around with.”

This is the advantage of the Charlestown Recording Connection programs. Yes, you’ll learn the technical side of the recording industry, but you’ll also learn how to handle yourself while in the studio. We believe the one-on-one time with a professional mentor gives you a complete picture of the business.

That’s what sets us apart from the traditional method of learning. The sights, smells, and sounds of a real studio can’t be matched in a classroom.

Articles

Recording Connection mentor Steve Catizone on creating opportunities for his students
Recording Connection mentor Steve Catizone talks studio etiquette

Background

Learn from Recording Connection mentor Bernard Johnson or one of our mentors in the greater San Diego area.

Bernard Johnson didn’t follow the usual path to becoming a Recording Connection mentor in El Cajon, Ca. He discovered a love of mass media as a 14-year-old, entering a certification program to find out how it all came together.

After finishing the program, he began co-producing a top-ten music show in Detroit and received an award for exemplary airwave checks from the Michigan Broadcast Association. Then his career took a turn: Johnson entered the military.

After a 20-year career in the military, often leading departments with 90 people, Johnson returned to what he loved as a teenager, earning a masters in audio production. While the military can be quite regimented, Johnson was attracted to the freeform method of instruction that Recording Connection offered students. As he knows better than most, the standard course isn’t always the best course.

“When I saw (Recording Connection) model, I was like, ‘Wow, this is it. I love it.’” Johnson said. “And it allows students to have the opportunity not to feel cemented to something like, ‘This is what you need to do, this is the direction and the route you need to do it.’”

The Recording Connection Program gives you access to a professional engineer, fully-functioning studio, and hands-on education, it could also earn you a career. The Noize Factory is a perfect example of that: Johnson hired one of his former students (Efrain Matias) as a staff engineer.

But you have to work for it. Recording Connection students must be willing to put in the time, effort, and focus to get the most out of it. Johnson expects nothing less.

“I do want to say commitment, passion, perseverance, and finishing until the end,” Johnson said. “They’re not just doing something for money or just doing it ‘just because.’ They’re literally passionate about it.”

Articles

Recording Connection mentor Bernard ‘IQue’ Johnson Shares His Smarts & Hires from Within!
Recording Connection grad Goes to NAMM, Gets Hired, Gets Going in Audio!