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Background

Soft sell, hard sell. He’s the guy next door – only more versatile.

Dennis Gould – Upright Bass, Electric Bass & Guitar Having spent the later part of the 60’s through the 80’s as a full-time bassist / singer in Baltimore, MD, Dennis changed careers in 1984 and entered the world of Radio. He worked at WIZD, Wizard-104 in Mobile from 1986 through the middle of 1988 when he began working as a producer & voice-over at Soundworks recording studio. His voice has been heard on thousands of Radio & TV commercials and jingles. Still at Soundworks, Dennis occasionally performs a solo show accompanying himself on guitar and featuring tunes from the 30’s, 40’s & 50’s.

Background

Sound of Birmingham was originally owned by Neil Hemphill and was located in Midfield, just south of Birmingham. In 1973 the studio was purchased by radio personality Don Mosley, who was using the studio to produce jingles, and in 1976 Don relocated the studio to it’s current location on Fifth Avenue South.

Over the years Don has engineered or produced records that were released on Atlantic Records, Arista, MGM, Stax Records, Rounder Records, Shelby Singleton labels (Nashville), as well as his own label. Fredrick Knight’s gold record “I’ve Been Lonely For So Long” was recorded at Sound of Birmingham Studios.

Background

Learn from Recording Connection mentor Joey Heier or one of our mentors in the New Brunswick area.

Audio engineer and studio owner Joey Heier has been in the business of making music for decades. With a client list that includes names like Christina Aguilera, B.o.B., Jill Scott, and Dru Hill, Joey knows what it takes to work in music. Furthermore, he has a zeal for sharing his passion for audio with newcomers.

So much so, that he’s gotten the nickname “Uncle Joey” from our students. He maintains contact with literally dozens of our graduates, many of whom have gone on to build great careers in the music industry.

We recently asked Joey Heier why he loves mentoring for Recording Connection. Here’s what he said:

“It’s a tremendous passion for me. I enjoy doing this so much. I have a style that I believe in. I talk with my students about a textbook answer that they’re probably going to forget immediately, and then give them an ‘Uncle Joe’ definition that’s two or three words that they’re going to remember immediately. Then they’re going to understand what the textbook definition is by hearing it in a simpler fashion.

“I have great kids that come in and really, really want to do this… I have an outstanding job, and there’s no reason why I shouldn’t do it with a smile. And that doesn’t happen with every kid, naturally—it really depends if they want to do it. But if they want to do it, I am so honored to have the opportunity to teach, and I think that’s why it works well for me.”

Articles

NUGGETS OF TRUTH: Recording Connection mentor Joey (“Uncle Joe”) Heier talks about the importance of hands-on training and his passion for teaching

Background

RENEGADE EL REY, an audio engineer/producer with Stankonia Studios, the legendary studio started by Outkast, has been a Recording Connection mentor for a few years now. He has hired past externs and regularly keeps in touch with other students who are busy making a name for themselves in the business.

Like many of our mentors, he is more interested in working with externs that have the drive and determination to succeed rather than any particular technical skill. Digital Audio Workstations can be taught – having the right attitude can’t.

Making yourself necessary during the Audio Engineering and Music Production Program is a great way to get in the good graces of your mentor. Yes, you’re there to learn, and your mentors are there to teach. But they’re also there to work.

By taking cues from the mentor, and the artists they work with, you’ll learn more about the industry than you will from almost any book. When RENEGADE EL REY was coming up, he made himself necessary in the studio. Engineers, producers, and studio chiefs remember that.

“As far as the actual, physical work that was done, I made myself valuable,” RENEGADE EL REY SAID. “And that was one thing that my professors always told us was to always make yourselves valuable, make people want to need you for whatever the case may be, and that’s exactly what I did.”

The Recording Connection offers one thing most traditional universities or trade schools just can’t: Opportunity. By making yourself available, your mentor, other staff, and their clients will remember you as the one they can rely on for anything.

“I learned how to do several things, and that was just something that I always did,” RENEGADE EL REY said. “I don’t write my rhymes, my lyrics, but I keep pens and pencils, just different things that people need. So whenever they need something, they think to call you. I just made myself that guy, and it just took off from there.”

Make Your Own Name

That’s how he made his connections and earned his shot at Stankonia. But it’s more than just making sure everybody else has what they need. The Recording Connection program wants to help you get what you need: a job making music in the industry.

We can give you the tools, but you have to put in the work. Both in the studio with your mentor and on your own. If you wait for things to happen for you, you’ll be waiting a long time.

“Oh yeah, definitely,” RENEGADE EL REY said. “I’ve always been the type to look ahead and try to say, ‘Okay, what’s going on next and where do I need to be?’ Because things don’t happen overnight. I’m always trying to reach out to the type of people that I need to reach out to ahead of time. You’ve got to get the ball rolling one way or the other.”

The Recording Connection will place you in a one-on-one situation with music producers like RENEGADE EL REY, but what you do during that time will determine how far you go in the industry. Our most successful graduates go on to find work in the studios where they externed, other studios, and even starting their own studios.

Will you make yourself available, invaluable, and teachable? That’s what our mentors are looking for. If you’re ready to Amplify Your Life, apply today.

Background

Learn from Recording Connection mentor Aaron R. Reppert or one of our mentors in the greater St. Louis area.

Originally founded in 2000 by Recording Connection mentor Aaron R. Reppert, TravSonic Sound & Media has grown a lot since its early, humble beginnings. TravSonic Mobile, established in 2009, caters to a number of high profile clients in music, technology, the arts, and the corporate world. The thriving company offers a range of remote recording technologies and services for seminar, concerts, festivals, and events.

Today, TravSonic Sound & Media is an award-winning, full-service media production company serving clients from its Nashville and Overland offices.

Background

Learn from Recording Connection mentor Rick Carson or one of our mentors in the greater Lincoln area.

Recording Connection mentor engineer/producer Rick Carson has a passion for teaching today’s rising talents in the world of audio. Designed by famous recording studio designer, Rod Gervais, his studio features three control rooms, world-class equipment, and has the distinction of having Nebraska’s only large format SSL mixing console.

Articles

A Day in the Life of Our Students
A Day in the Life of Our Students

Background

Powerhouse mentors Parker Ament and Danny Ferrare of XLNT Studios (Timbaland, Borgore, Brillz, Dan Farber, Kelly Price, Larrance Dopson of 1500 or Nothin) are the ultimate example of agile, entrepreneurial music producers who’ve got their fingers on the pulse of what’s going on in electronic music production right now. The XLNT team are host of the popular YouTube web series XLNTSOUND, a must watch for those looking to capture today’s hottest sounds via plugins and specific production techniques.

Despite their easy going vibe they expect students to be receptive to learning and to take on a
“fly on the wall” posture when artists are in session in the studio. Parker says, “The first rule is: you don’t say anything unless somebody asks you. And even when they ask you, you should keep it short and sweet. You can’t kind of go on tangents, because then that might drive the session in a certain way.” In order to absorb the information that’s coming your way, he suggests “Take notes, if that’s your thing, or sit as close as you can to the screen, out of the way of the client and engineer, while really watching. Because, with every little note or trick, you’re going to be learning something new every second. Even if you think that you know everything, there’s going to be something that you didn’t know when you’re watching us or a particular engineer.”

So what do Parker and Danny look for in the Recording Connection students they train? It usually comes down to one word—passion.

“Right when they walk through the door, we can see who is passionate about what they’re doing. Even if they’re shy, we can sense the passion. And I feel like that is the most important thing. If somebody is socially awkward or they don’t really know what to say during the interview or something like that, we don’t base any of that on what we’re looking for. We’re looking for passion, we’re looking for dedication, and we’re looking for somebody that is going to create their own path. So if somebody has the opportunity to extern with us, we want them to make their own path with the opportunities that we’re showing them.”

Background

Recording Connection mentor Jason Phelps is an audio engineer, producer, and musician who’s been involved in music all his life. He’s downright passionate about recording, producing, and teaching the next generation of music industry professionals. He expects the externs he trains to bring their A-game, and to listen and learn in a proactive manner.

Background

Learn from Recording Connection mentor Ross Vanderslice or one of our mentors in the St. Louis area.

An engineer since 2001, Ross Vanderslice has worked with some of the biggest names in the recording industry. The experience he’s gained works perfectly with what we do at Recording Connection: pairing externs with seasoned professionals for invaluable one-on-one time with a mentor.

With multiple studios and state-of-the-art equipment, Vanderslice has worked with several Recording Connection externs. Doing it right is about so much more than having the right gear, software, or equipment. Because of his experience working with internationally-known acts, Vanderslice knows how to work with artists, how to make them feel comfortable and safe within the studio environment.

Here are some of the clients with whom Vanderslice and/or the professional audio engineers at his studio have worked:

Background

As a music producer, studio co-founder, DJ and mentor, Lucas Abend of Studio 369 (Snoop Dogg, Krewella, Sony Music) is the consummate example of the artist producer who’s constantly pushing the boundaries, breaking outdated rules and modalities and bringing the future into the now. That being said, Lucas doesn’t sustain himself on hype. Rather, he believes deeply in the importance and value of art, music making, and creative expression.

As a believer in creative expression, Lucas focuses on putting Recording Connection students’ own music and creativity at the center of the training every chance he gets. Their desire to make their own music unique helps keep them charged up for the challenges they can encounter while they learn the DAW (Pro Tools, Ableton).

“Part of it is having the challenge inspire you to keep working…That’s probably my most direct way that I’m mentoring, is helping the students find a creative workflow that works for them so that they have that motivation to spend 15 hours a week [learning]. That’s not easy. It takes some effort to spend that kind of time but once they’re spending [it], you see them get so much better. They improve so drastically that that’s kind of what makes it all worth it, is to see them improve and start to feel like, ‘Hey, actually at first when we first started I didn’t know what 4/4 meant!’”

Background

Although there are many differences between four-year universities and The Recording Connection – such as cost, length of a program, and availability, it’s the one-on-one relationship between you and your mentor that could be the most important distinction.

Sitting in a traditional school setting, students all tend to learn the same thing, usually by listening to the teacher or professor lecture from the head of the class. With Recording Connection, you’re training with a professional music producer and/or audio engineer, a mentor  who shapes the education around you.

For David Hughes, of Shine On Studio in San Francisco, developing the strengths of his externs and helping them develop in accordance with their interests and talents is what matters most.

Helping audiophiles grow into audio engineers, music producers, beatmakers, and artists isn’t something that can be done with a cookie cutter approach. Furthermore, the music business has something for everyone—many just need to find out what that something really is.

“The students I mentor at the studio are all extremely talented and gifted in many different ways,” Hughes says. “I’m seeing them mature and develop to a point where I help them focus on their strengths. I’m trying to push them in those directions, ‘That’s what you should be doing; that’s your strength.’ It’s never going to be cut and dry what you should do. It’s good to try a few different things to see where your strengths rise up.”

“Some students are good at composing. Some are good at mixing. Others are actually just good at networking. So, not everybody is cut out to sit behind the board and push buttons. A few of the students are really good at socializing and making a personal connection to people. They know how to go out and get people energized and excited about music and concerts. So I try to encourage them to focus on being out at shows and to network as they go to events.”

Understanding your strengths is what makes Hughes and other Recording Connection mentors such an important resource when working towards a career in the music industry. The technical aspects, such as learning digital audio workstations or how to properly set mics, will come in time. It’s your innate talents that can’t be taught—but we can teach you how to use them.

Opportunities in San Francisco

No matter how talented you are, success in the music business is driven as much by who you know as it is with what you know. Hughes keeps in touch regularly with his music connections and past student externs, many who have opened their own studios and launched successful music careers. He can trace much of that success back to the networking events he holds every month.

“We try to promote an audio engineer meeting once a month…That’s a big thing, to have something available for the students that are trying to come up in the industry. You can’t really succeed in this industry on your own. You do need to rely a little bit on other engineers to help you develop in the industry.

“In some situations, they might be your competitors,” Hughes continues, “But I don’t really think of them that way because everybody has their strengths and weaknesses in audio production. I have made it possible for some of the students to come and join us at these meetings and network with other engineers or music professionals in the area. This is a big door that has opened for them and I think that they are definitely taking advantage of the opportunity.”

Opportunity. That’s how Recording Connection Audio Engineering and Music Production program differs greatly from traditional schools. By working in professional, real-world studios, you could be working with an up-and-coming local band one week, international stars the next. How you take advantage of those opportunities can help determine how far you go in the music business.

Are you ready to Amplify Your Life? Apply today.