This is your Real Ardmore In-Studio Education

Background

In October 1988 the studio opened on Shelter Island, two hours east of NYC. Producer/ engineer Steve Addabbo purchased all of the equipment from a well respected east side studio that was closing and set up the studio in the basement of his home. The timing was perfect, Steve had just had a huge success with Suzanne Vega’s “Solitude Standing” album and Shawn Colvin had just been signed to Columbia records. Steve and the studio began working on Colvin’s debut album, “Steady On”(a Grammy Winner), Eric Andersen’s classic, “Ghosts Upon the Road” and other major label and indy projects. Now in its 27th year of operation, the studio continues to be a vital part of the New York recording and mixing scene.

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RC Graduate Michael Gevaza starts label Electric Giant!

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Background

Shane Anderson is a seasoned music industry veteran. With over 20+ years in the music industry Shane has vast experience in production, recording, mixing and mastering as well as the ins and outs of the music business. Shane began his musical career in his early teens as a demo vocalist for labels and also as a sound engineer for the MUZAK corporation. At age 18 he opened his first studio location in Honolulu, HI called “Unique Studios” and oversaw the daily operations of the recording studio as well as landing several indie label deals and distribution agreements while in Hawaii working with local talent. In 2009 Shane released a solo album titled “Dangerous”. This album took off online primarily on MYSPACE and gained much success with over 2.5 Million plays worldwide landing him on BILLBOARD NEWSWIRE and ultimately landing him several placements on TV shows to include “The Kardashians” “MTV” “E- Networks” and Oxygen to name a few. Shane moved down to Los Angeles 2010 where he formed with his long-time high school friend a production company called “The Go Gettas” where he continued to build on his credits and catalog working with artist who have been on American Idol, X Factor, Dancing with The Stars and Disney to name a few. After landing multiple placements in Film/TV Shane relocated to the Sacramento area in 2016 to build on Unique Recording Studios and help bridge the gap between artist and the industry. Shane runs Unique Recording Studios as a production label, distribution company and recording studio for artist to create and focus on their art. Unique Recording Studios has also newly launched an exciting new venture at URS called “The Collective” which will allow producers, engineers, songwriters and artist to collaborate in house at Unique Recording Studios to work together to create music and promote building a large collaborative catalog of music to submit to labels, publishers, music supervisors and overall decision makers in the music industry. This will provide a great opportunity for students who complete their coursework at the recording connection.

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Unique Recording Studios

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Background

Axenzo had recently graduated San Diego State University with a degree in mechanical engineering when he found that having achieved a major life goal, namely getting a degree to make his parents happy, had quite an interesting effect on him. Now that he’d achieved that, what else was possible? What could he achieve if he pursued something he was downright passionate about—music. While an engineering student, Axenzo had tried to double in music but the classes weren’t stimulating and were “very theoretical” with nothing practical or new to offer. Brewing at the back of his mind for years been the idea of learning how to produce EDM. While it wasn’t a choice his mother would consider practical, to him it was the natural conclusion. Axenzo was an active EDM explorer who attended shows regularly, a lifelong musician who played guitar and piano, and even wrote melodies on a whim. Music was just the thing going on in his mind. After completing his college degree with high marks, Axenzo spent a number of months training with a professional EDM music mentor who taught him Pro Tools and Logic with direct, one-on-one lessons. Although he already knew how to play a couple instruments he’d never set his hands on a DAW. Nevertheless he excelled fast, and consistently challenged himself while getting hands-on training and tips from his music mentor, a longtime engineer and EDM producer himself. During his time in the program Axenzo was able to create his own EDM songs, first starting on MIDI, then composing from within a digital environment. Crossing the bridge from having to play and record, to creating digitally “opened a door” for the EDM creator and DJ. In the two years since graduating the program, Axenzo has built a promising career in EDM as a DJ who has opened for Bob Sinclar, Robin Schulz, Steve Aoki, Marshmello, Borgeous, Nicky Romero, among others. Nevertheless, for him DJing and especially composing new material as a producer is a never ending journey. The great unifier isn’t by genre or culture for the rising talent. Regularly dipping into multiple genres and researching far and wide, Axenzo is in quest of something singularly specific: “I’m trying to create something that every time people listen to my tracks they’ll know it’s me. That’s my focus right now. I’m working on it every day.” Now, the melodies and musical ideas Axenzo used to write on a whim are being put to use professionally as he divides his workdays between producing new material and performing at venues. He says, he’s even got a surefire way of capturing the music when it hits: “I open the recorder on my phone and just sing the melody to myself. Even if I’m in the shower, I’ll get out and record it.” Now versed in Ableton as well as Logic and Pro Tools, Axenzo is fluent in the various DAWS and he’s confident in his capacity to continually explore and grow as an artist. And as for future goals, he’s got a few: “I definitely would like to play in big festivals. Hopefully at Ultra Miami, EDC Las Vegas, and I would like to go worldwide. I’m working on it. I know there’s lots of competition, but I think nothing is impossible.” As for the time he spent as an apprentice in the program, Axenzo says, “It was an amazing journey. I am extremely thankful.” Axenzo currently performs weeklies at The Hard Rock Café in Las Vegas, Nevada, and The Pool House and Sunset Vibes in San Diego, California. Request an Invitation

Background

Kevin Sharpe is an Emmy Award winning producer, engineer, and keyboardist. He has produced, recorded or mixed many fine artists. Click here to see a list of credits. Kevin began recording at the age of 15 years old with a 4 track Teac reel to real, a Yamaha mixer, Moog synth and a broken drum machine. Soon he was recording local bands and the neighbors dog. After years of making noise and honing his recording skills he opened a small studio in Troy, Michigan. twenty five years and a couple of thousand bands later, he still gets chills while mixing a great song. As a producer, Kevin is 100 percent committed to doing whats best for the song, while preserving the unique chemistry of the preforming artist or band. By making the recording process work for the music, the artists vision shines through to the finished product. After all it is always about the music! Kevin attended Oakland University before studying music at Rochester College. After completing his education, he has taken several courses at The Berklee College of Music.

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Graylyn “Gino” Claiborne gets hired by his mentor’s studio after graduating!Aver

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Background

Recording Connection mentor Gregory Hainer is an interesting case. Usually our Recording mentors work primarily in the music industry but Gregory has made a successful career for himself in music as well as film, television, and video game entertainment as a music composer, voice over specialist, Sound FX designer and mixer on numerous projects including: Plants vs. Zombies 2, Batman: Arkham Asylum, Guild Wars 2, Prince of Egypt, Elder Scrolls V: Skyrim, We Were Soldiers, Dishonored, Black Hawk Down, and many more. Gregory does most of his work from Scorpio Sound, his boutique studio located in the Hollywood Hills. His unique skills-set, talent, and setup enables him to do work larger audio studios can’t. “From a client’s perspective, I own the studio, so there is no middle management overhead to worry about because the owner/operator is also the creative head. This means I have the freedom to choose to spend a little more time with my clients in order to get things perfect versus having to be out of a studio by a specific time.” Specialty might as well be Gregory’s middle name. “I get quite a few calls for the most unusual or difficult to design stuff that many in-house teams can’t quite seem to pull off convincingly, such as creating sounds for creatures, magic spells, sci-fi effects, light sabers and the like. But I will also get the occasional call to do the less-fun direct stuff like cleaning up poorly recorded production audio from a film, or digging out inaudible archival dialogue from excessive background noise.” On top of working in the film, TV, and video game industries Gregory also takes on Recording Connection apprentices and teaches them about both the industry and the craft of audio engineering.

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RC grad Andrew Holscher reports back on his Eddie Kramer Experience
Recording Connection mentor Gregory Hainer on Vibe and Flow

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Background

Recording Connection mentor Josh Monroy is proof-positive that getting in and showing your commitment to the craft, day-in and day-out, can launch your career to unprecedented heights. With more than a decade in the music industry, Josh “Igloo” Monroy has worked with everyone from Justin Bieber to Quincy Jones, to The Notorious B.I.G. The seasoned engineer/composer/producer is also known for his longtime work with iconic artist Ludacris. An Atlanta native, Josh recently answered the call to come out to Los Angeles and is now co-owner of Studio 1 Zero. His most recent success includes the work he’s done on JoJo’s critically-acclaimed album Mad Love, which includes three tracks recorded, produced, and co-written by the multifaceted music professional.

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RC mentor Josh Monroy Talks How He Got Hired by Ludacris and Doing JoJo’s “Mad Love”

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Background

Jeramy Roberts is an EDM producer, composer, DJ and Ableton educator located in Austin, Texas. As founder of the Electronic Musician’s Guild, his approach combines the creative and the pragmatic—an ethos that’s dedicated to helping his students get their music out into the digital marketplace and distributed on major platforms. Jeramy has sold his songs and records in dozens of countries around the world. He has broken the Top 100 spot in numerous international sales charts and even his former students have hit #2 in Amazon’s House Top 100 while training under his direction. A loyal lover of EDM and the great local EDM scene in Austin, Jeramy Roberts is serious about helping today’s most driven and committed newcomers create productive, rewarding careers in music.

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#IZCONNECTED 62 | Jeramy Roberts - How To Monetize Your EDM
Recording Connection mentor Jeramy Roberts talks about the new music industry and creating your own job within it

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Background

An established audio engineer/producer based in New Orleans, Recording Connection mentor Misha Kachkachishvili is an industry veteran whose client list includes names like Solange Knowles, Eric Clapton, Willie Nelson, Janelle Monae, Taj Mahal, T-Bone Burnett and many others. A few years ago, he purchased a historic church left decimated by Hurricane Katrina, chose to keep the church’s historic pipe organ donated by philanthropist Andrew Carnegie, and converted the space into what is now Esplanade Studios, the largest recording studio in Louisiana (and one of the most prestigious).

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A Day in the Life of Our Student
Recording Connection mentor Misha Kachkachishvili on working with artists and finding opportunity

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Background

In 1996, Scotty became Production Manager for the powerhouse production team, The Characters. It was during this time that Scott worked on numerous Platinum and Gold albums, including releases by SWV, Johnny Gill, Tyrese, B2K, Brian McKnight, Petey Pablo, and Faith Evans. Scotty has been lending his expertise in Studio and Production Management at Engine Room Audio since 2006. Request an Invitation

Background

Head Mastering Engineer and owner of Engine Room Audio in New York city. Starting his music career as a guitar player in numerous garage bands, Mark was the owner of the first Tascam Portastudio 4 Track Cassette Recorder in Colorado. He has spent the ensuing thirty years staring at knobs and meters. Recent projects include Mastering for They Might Be Giants, Mr Probz, The Killers, 50cent, Trey Songz, Dr. Dre, and OK GO. Mark and Engine Room Audio have been the recipient of multiple Grammy awards, and have been lucky enough to have been involved with a pile of Gold and Platinum award winning records. In early 2012 Christensen mastered the first single off Trey Songz’ album Chapter V, titled “Heart Attack,” which was produced by Benny Blanco and Rico Love.Around that time he mastered a track for Pauly D on G-Note Records as well, and he worked with the Italian rap group Club Dogo in June 2012. Signed to Universal Music Group, the group’s members DJ Don Joe and engineer Andrea “db” Debernardi flew to New York to mix and master an album with Christensen. Their resulting single “Cattivi Esempi” reached #2 on the Italian music charts. Christensen’s other mastering projects in 2012 included the alt-rock band Weep’s album Alate and the Trey Songz album Chapter V, which reached #1 on the Billboard 200 chart. Also that September, 50 Cent was in the studio with Christensen to master his single “New Day,” which features Dr. Dre and Alicia Keys. The song was mixed by Eminem before mastering. In 2013 Mark starting working with the artist “Mr Probz”, initially on his album “The Treatment” and the single “Waves” and new material including the single “Nothing Really Matters”. On 27 April 2014, Waves debuted at number one on the UK Singles Chart after selling 127,000 copies in its first week. As of October 2014, it was the fourth-biggest selling single of 2014 in the UK, with sales of 758,000. The song also peaked at number one in Australia (currently 3x platinum), Austria (currently gold), Germany (currently 5x platinum), Italy (currently 3x platinum), Sweden (currently 5x platinum) and Switzerland (currently 1x platinum). In the United States, the remix reached number one on the Billboard Dance/Mix Show Airplay chart for the issue dated 16 August 2014 and is currently 1x Platinum. Engine Room Audio in 2014 continued to work on projects by both 50 Cent and Trey Songz, with Christensen mastering albums such as 50 Cent’s Animal Ambition. Other recent mastering projects include Collide by Boyz II Men and Game Changer by Johnny Gill. Christensen’s associated projects had been nominated for five Grammy Awards as of 2015, winning two of them. At that point Christensen had also worked on over 24 Billboard chart top ten hits, and around 25 of the releases had gone platinum or gold. Christensen is an official “mentor” at Recording Connection, a New York-based school for music recording. He also periodically chairs and moderates audio engineering panels at music industry events.

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Recording Connection mentor Mark Christensen
Engine Room Audio completes work on 50 Cent, Trey Songz albums!
From Newcastle, Australia to New York, New York, Darren Fewins Gets Going!
Mark Christensen of Engine Room Audio NYC talks Student Success rates with Brian Kraft

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