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Background

In October 1988 the studio opened on Shelter Island, two hours east of NYC. Producer/ engineer Steve Addabbo purchased all of the equipment from a well respected east side studio that was closing and set up the studio in the basement of his home. The timing was perfect, Steve had just had a huge success with Suzanne Vega’s “Solitude Standing” album and Shawn Colvin had just been signed to Columbia records. Steve and the studio began working on Colvin’s debut album, “Steady On”(a Grammy Winner), Eric Andersen’s classic, “Ghosts Upon the Road” and other major label and indy projects.

Now in its 27th year of operation, the studio continues to be a vital part of the New York recording and mixing scene.

Articles

RC Graduate Michael Gevaza starts label Electric Giant!

Background

Although there are many differences between four-year universities and The Recording Connection – such as cost, length of a program, and availability, it’s the one-on-one relationship between you and your mentor that could be the most important distinction.

Sitting in a traditional school setting, students all tend to learn the same thing, usually by listening to the teacher or professor lecture from the head of the class. With Recording Connection, you’re training with a professional music producer and/or audio engineer, a mentor  who shapes the education around you.

For David Hughes, of Shine On Studio in San Francisco, developing the strengths of his externs and helping them develop in accordance with their interests and talents is what matters most.

Helping audiophiles grow into audio engineers, music producers, beatmakers, and artists isn’t something that can be done with a cookie cutter approach. Furthermore, the music business has something for everyone—many just need to find out what that something really is.

“The students I mentor at the studio are all extremely talented and gifted in many different ways,” Hughes says. “I’m seeing them mature and develop to a point where I help them focus on their strengths. I’m trying to push them in those directions, ‘That’s what you should be doing; that’s your strength.’ It’s never going to be cut and dry what you should do. It’s good to try a few different things to see where your strengths rise up.”

“Some students are good at composing. Some are good at mixing. Others are actually just good at networking. So, not everybody is cut out to sit behind the board and push buttons. A few of the students are really good at socializing and making a personal connection to people. They know how to go out and get people energized and excited about music and concerts. So I try to encourage them to focus on being out at shows and to network as they go to events.”

Understanding your strengths is what makes Hughes and other Recording Connection mentors such an important resource when working towards a career in the music industry. The technical aspects, such as learning digital audio workstations or how to properly set mics, will come in time. It’s your innate talents that can’t be taught—but we can teach you how to use them.

Opportunities in San Francisco

No matter how talented you are, success in the music business is driven as much by who you know as it is with what you know. Hughes keeps in touch regularly with his music connections and past student externs, many who have opened their own studios and launched successful music careers. He can trace much of that success back to the networking events he holds every month.

“We try to promote an audio engineer meeting once a month…That’s a big thing, to have something available for the students that are trying to come up in the industry. You can’t really succeed in this industry on your own. You do need to rely a little bit on other engineers to help you develop in the industry.

“In some situations, they might be your competitors,” Hughes continues, “But I don’t really think of them that way because everybody has their strengths and weaknesses in audio production. I have made it possible for some of the students to come and join us at these meetings and network with other engineers or music professionals in the area. This is a big door that has opened for them and I think that they are definitely taking advantage of the opportunity.”

Opportunity. That’s how Recording Connection Audio Engineering and Music Production program differs greatly from traditional schools. By working in professional, real-world studios, you could be working with an up-and-coming local band one week, international stars the next. How you take advantage of those opportunities can help determine how far you go in the music business.

Are you ready to Amplify Your Life? Apply today.

Background

Recording Connection programs are designed to put you in the middle of the action so you can soak up as much experience and information as possible. With Conrad Osipowicz, you’ll be paired with a mentor that has been in the industry for years, both in the recording studio and out.

As an audio engineer, he’s worked with The Dave Matthews Band, Dropkick Murphys, Regina Spektor, and the Pixies. He also has experience working with live audio for a large Boston radio station and helping companies test new products for music production.

“I guess I’ve always been more on the technical side of the music industry,” Osipowicz says. “I was always interested in computers and technology. I produce, too. It’s not that I exclusively engineer. I’ll produce with full bands and indie rock bands and up and coming artists here in the DC area, but I was definitely more inclined on the technical side of operations.”

Starting from the Ground Up

Although many of our externs have some experience before coming to the Recording Connection Audio Engineering & Music Production Program, it certainly isn’t a requirement. Our mentors utilize our industry-oriented curriculum to help students build a solid foundation around what the industry is looking for now, not 10 years ago. Osipowicz knows a little something about building from the ground up.

“It started as an empty room, and I slowly added equipment and software…A vocal booth from eBay, at one point the whisper room booth, a piece at a time. Just kind of recording a couple of sessions for two or three weeks and then buying a new mic on eBay. And then recording another week or two and buying a new plug-in online. Just kind of piecing together whatever I could.

The studio is honestly one of the top studios in the area…I’ve got at this point some of the best mics, best preamps, best vintage compressors. Some really unique items that you might not find at any other studio on the East Coast.”

Hands-on Experience

The most important thing is getting your hands dirty. Even with just a laptop and the right digital audio workstation, externs can start putting what they learn into practice. That’s why Osipoicz feels learning in a professional studio—not a classroom—gives people the best chance to really learn the craft.

“I am a firm believer that practicing and learning in the studio in a hands-on manner will always yield a more informed and experienced studio engineer than someone who simply learns via lectures, YouTube tutorials, discussion forums, etc…. For that reason, I often encourage my students during their lessons to record a friend’s band, or an individual singer-songwriter who might play acoustic guitar and sing, or play piano and sing.

That way, the artist can act as a guinea pig for the students, but also walk away with a professional well-mixed recording. The student gets to practice on a real recording artist in a real recording studio. Everybody wins.”

That’s what Recording Connection has to offer: Working with an industry insider on the best gear, building a portfolio, and learning how to build a studio the right way. If you’re looking to Amplify Your Life, apply to The Recording Connection today.

Background

In almost any profession, if you want to be the best, you work with the best. That’s why Recording Connection has secured some of the best audio engineers and music producers from the United States. In Washington, D.C., Mark Moreau is a two-time Grammy winner and has been working in the industry for decades.

Moreau has worked with Madonna, Rage Against The Machine, Roger Waters, and Ziggy Marley, just to name a few. As a mentor with Recording Connection, he passes that experience on to you, both on the technical side and the personal side. But, he’s careful to point out, it’s up to the student to make the most of their time with him:

“The thing that I like to see the most is that they’re just hungry for getting to the next step, and learning more, and absorbing all of that. And I think that’s a great quality and attitude that will help take them far in the long run…

The attitude of somebody who’s really open, ready to learn, eager to absorb the information and to put it into practice in their own work…. Curiosity is a big thing. When I see the students coming in, I love it when they’re full of questions like, ‘What’s that?’ and ‘Why is that going like this?’ and ‘What’s going on there?’…. You see these lightbulbs go off and the next time they come in the following week, their song that they were working on has just taken this huge leap forward.”

We’re Rooting for You

Being a mentor isn’t just a side job at Recording Connection. We are just as interested in your success as you are. Our mentors are chosen because they want to make sure the next generation of audio engineers and music producers come up with learning what the music industry needs.

“That’s neat to see and that’s a great part of being a mentor, too,” Moreau says. “Being able to help them discover those things and take it from the academic part of like, ‘This is what this thing does’ to ‘Here’s how you could actually use it for the type of music that you’re doing’ and ‘Here’s where you could get creative with it.’ That not only makes their productions better, it makes them feel better. Then they learn it on a deeper level than just like, ‘Oh, that’s what that knob does.’”

Fully Immersed from Day One

The Recording Connection Audio Engineering and Music Production Program will place you with a mentor in a professional studio from the start. The recording studio is your classroom, and the curriculum is created by mentors who understand the industry from the inside. However, as we said before, the most successful externs are those that give it both heart and soul.

“One of my (externs) Nick Leupen, is a great example of that,” Moreau says. “He’s a composer/producer in the Recording Connection Ableton Electronic Music Production Program and has an insatiable appetite for learning. He’s not only on it when it comes to the course work and being a great student, but constantly curious about tips I can give him for working with other artists, etiquette with clients, and is always looking at the bigger picture of what he needs to know for his career. That’s a great sign of future success.”

Moreau is here to help Amplify Your Life. Are you ready? Apply today.

Background

If you look up the phrase “Renaissance Man,” you’ll probably end up with millions of results for Leonardo da Vinci. Painter of the Mona Lisa, an expert in anatomy and physiology, and noted engineer and inventor, da Vinci would investigate an idea or notion until he became the foremost expert in the field.

But he died more than 450 years before the first digital audio workstations were even conceptualized. So instead, we’ll turn our gaze to our resident Ableton Live expert and one of the most accomplished Recording Connection mentors: G.W. Childs. He literally wrote the book i.e. co-authored our curriculum on the software, as well as the Reason and Creator curricula.  From how to get music from your imagination into your DAW, to making music for video games, to building your own electronic instruments, G.W. Childs knows and has done all of it.

He was a sound designer on Reason as well as a sound designer, composer, and voice editor for video games such as Star Wars: Knights of the Old Republic: The Sith Lords; Star Wars: Battlefront; and LucasArts’ The Force Unleashed. He was also enlisted in the U.S. Army, where he co-founded the band Soil & Eclipse. He was a songwriter, keyboardist, and producer for the electro-industrial group that found extensive airplay throughout North America and Europe in the late 90s.

He even led a recent talk about working and learning during the time of a pandemic, leading a Q&A session with noted audio engineers. The session brought in people from around the country hoping to find out how Covid-19 changed the way we look at remote learning.

If you’re looking for one of the most direct ways of starting a career in the music business, Recording Connection will place you in a one-on-one situation with Childs or other industry insiders. You’ll learn how to work with a DAW, how to run a studio, how to work with artists, and even the business side of being an audio engineer or music producer.

“Really take advantage of the lessons,” Childs says. “The more time you put into the course, the more content it’s possible for you to create. That really is building your own brand. So that’s the first thing: the more you put into it, the more that you’ll get back from it.

“I’m not just talking about the education you get,” Childs added. “Literally, what you walk away with is part of your discography now. That’s huge. It’s something that goes on the resume now. So if you have the opportunity to make five song sketches that week that you could use for the entirety of the course, do the five sketches.”

And it will take time, drive, and determination. However, when you enroll in the Recording Connection Audio Engineering and Music Production Program, you’ll have the guidance of experienced mentors like Childs.

“There are certain things that you have to have within a song,” Childs says. “Just the same way there’s certain things you have to have in a haiku, or in a poem, or even in a paragraph, or even in an essay. You got to have an intro, you got to have the meat of it, and you have to have the ending. And that’s just the basic form of it. And everybody wants those parts of it, but how do you do it well?”

Want to find out? Amplify Your Life by applying today.

Background

Shane Anderson is a seasoned music industry veteran. With over 20+ years in the music industry Shane has vast experience in production, recording, mixing and mastering as well as the ins and outs of the music business. Shane began his musical career in his early teens as a demo vocalist for labels and also as a sound engineer for the MUZAK corporation. At age 18 he opened his first studio location in Honolulu, HI called “Unique Studios” and oversaw the daily operations of the recording studio as well as landing several indie label deals and distribution agreements while in Hawaii working with local talent. In 2009 Shane released a solo album titled “Dangerous”. This album took off online primarily on MYSPACE and gained much success with over 2.5 Million plays worldwide landing him on BILLBOARD NEWSWIRE and ultimately landing him several placements on TV shows to include “The Kardashians” “MTV” “E- Networks” and Oxygen to name a few.

Shane moved down to Los Angeles 2010 where he formed with his long-time high school friend a production company called “The Go Gettas” where he continued to build on his credits and catalog working with artist who have been on American Idol, X Factor, Dancing with The Stars and Disney to name a few. After landing multiple placements in Film/TV Shane relocated to the Sacramento area in 2016 to build on Unique Recording Studios and help bridge the gap between artist and the industry.

Shane runs Unique Recording Studios as a production label, distribution company and recording studio for artist to create and focus on their art. Unique Recording Studios has also newly launched an exciting new venture at URS called “The Collective” which will allow producers, engineers, songwriters and artist to collaborate in house at Unique Recording Studios to work together to create music and promote building a large collaborative catalog of music to submit to labels, publishers, music supervisors and overall decision makers in the music industry. This will provide a great opportunity for students who complete their coursework at the recording connection.

Articles

Unique Recording Studios

Background

The manager and chief engineer at Miller Street Studios, Joe “Dante” Delfino has established himself as one of the top audio engineers in Chicago. Working with established mega-groups like Wu-Tang Clan as well as up-and-comers like Ta’Rhonda Jones, Delfino sees the benefits of the Recording Connection mentor programs.

“Out here in Chicago, we have Columbia College which is a big music school,” Delfino said. “I’ve had interns that have gone four years there, and they came in here and didn’t even know how to basically run a Pro Tools session.

“It’s a big difference when you’re learning with somebody who is actually doing this for a living and in the industry right now versus in a classroom where it may be somebody that doesn’t have that much real-world experience or has been out of it for a number of years. Definitely more beneficial that you’re learning with somebody that’s actually doing it.”

Learn More Than The Gear

While some classes may teach you how to work with Ableton Live or Logic Pro, how to place your monitors for optimal performance, or even the differences in mics, the Recording Connection Audio Engineering and Music Production Program give you something no book can: Opportunities.

You won’t be working with every act that comes into the Miller Street Studios. But when your chance to sit in on a session finally arrives, this is the time to shine. An impressive performance by you may make a connection with the artists, who may pass your name on to other artists. In the music industry, if you don’t get your name out there, no one will.

“One of the most important things I try and teach (is) you can’t rely on anybody to give you clients,” Delfino says. “There are tons of engineers graduating from all sorts of programs all the time. There are thousands of guys that are not going to be doing this full time for that simple fact.”

Impress your mentor during your time with Recording Connection and you could get more opportunities to work with clients. The more people that know your name—and your talent— the easier it will be to bring people into the studio. That will really impress the studio chiefs.

“You got to get out there, hit the pavement and shake hands, hand out business cards, and get people talking about you,” Delfino said. “That’s one of the things I really kind of push these guys on is, don’t just rely on me to give you sessions; do some of the footwork yourself too. That’ll speed up the process. That is how I really was able to start my own business because I had gone out, done the footwork, promoted myself, and gotten clients that wanted to work with me.”

Learn from The Inside

Recording Connection programs are designed to give you access to the industry and learn it from the inside. In fact, many mentors hire externs after they finish the program – or even during the program! Delfino likes having potential hires under his tutelage because he knows they’ll be taught the right way.

“I think having the ability to be able to teach these guys exactly the way you run your business and the tools that you’re using in the studio is really key,” Delfino says. “Because that’s not really something you can teach in a classroom. I’ve already hired a couple of people, students that have gone through the Recording Connection.”

We can’t guarantee you’ll be hired right off the bat. But what we can guarantee is you’ll learn how to work in a studio, how to interact with acts, and learn the gear used in the music production business. What you do with that knowledge is up to you. Ready to Amplify your life? Apply today.

Background

Donny Baker of ES Audio in Los Angeles, CA has decades of experience in the music industry, both in studio and behind the console. He spent 13 years working as a touring engineer for some of music’s most influential and dynamic artists including: Madonna, Chick Corea, Aerosmith, Herbie Hancock, and more. Donny then moved his talents into the sphere of recording and audio engineering production at ES Audio alongside CEO and studio owner Jo Ann Bush.

As a Recording Connection mentor for more than 16 years, Donny’s passionate about helping tomorrow’s audio engineers, music producers, and music industry professionals discover the very thing that sets them on fire, and use their passion along with the insight Donny’s able to provide to create a solid game plan for building their careers.

As a result of their hard work and the expert training and experience they’ve been able to receive through our mentor-led programs, a great number of Donny’s former Recording Connection students have gone on build amazing careers for themselves:

Taylor Crommie recently recorded and mixed for DJ Paul (of Three 6 Mafia). Other artists include: Kembe X, Jay Rock, Wifi Funeral, YelaWolf, Lance Skiiwalker, Eric Hudson, Rob Vicious, and Reddish Blu.

Uriel Soto Jr. aka “Junior” got hired full-time at ES Audio (DJ Paul, Yelawolf, Yung Gravy). Now, Uriel is also a Recording Connection mentor.

Skyler Felix went on to work with Disney and VH1. Credits also include a top-10 record on the UK dance charts.

Morning Estrada has recently engineered for Aminé, Rosalía, Brandy, Trinidad James, Tech N9NE, Jessie J, and more.

Articles

Video: What to expect with Donny Baker
Helping students find their place
NUGGETS OF TRUTH: Recording Connection mentor Donny Baker on what it takes to make it in recording
JoAnn Bush, owner of ES Audio in Los Angeles

Background

Everything from the blues to certain genres of electronic house music call Chicago home. And the 35th Street Studios has seen an equally eclectic group of musicians come through their doors. The Who and Crunchy Black, The Rolling Stones and Yolanda Adams, Cheap Trick and Kanye West.

Their ability to work with a wide variety of acts over the years, and housing several studios, a live sound stage, and more. It is the premier rehearsal venue in Chicago because of its size and has all of the gear to record podcasts, film, and video work. And, as one of Recording Connections mentoring studios, it’s grooming the next generation of audio engineers and music producers.

“One of the things I appreciate every day is that I am surrounded by like-minded people,” former extern Robert Avila said. “Those who have the expertise and patience to listen to a mix repetitively, and for as long as it takes, to accomplish what needs to be done. The qualities I see in my peers at the studio are great. Everyone at 35th Street Studios has their unique background, style, and personality type; nevertheless, they work together seamlessly- true teamwork- and I’m more than happy to be involved.”

Work with Professionals

With our ability to place externs inside real-world studios, we feel our programs have a little something more to offer those looking to make it in the music marketplace. Using the latest hardware and software, our mentors will show you how to set up a studio, get the most out of an act’s material, and how to use the most up to date recording software.

But it goes beyond knowing how to operate a digital audio workstation or knowing which mic to use. The Recording Connection gives you something very few universities or trade schools can: connections. Other schools may bring in guest speakers for an hour or two. The Recording Connection will give you the opportunity to work alongside those already in the industry.

With these opportunities, you can start to build your brand from within the business. Many of our externs find work immediately after completion of the program, often at the very recording studios they learned in. How many schools can say that? Not many. After all, they aren’t looking for beat-makers, audio engineers, or music producers.

Many Recording Connection mentors are, however. We have helped hundreds of externs find work after completing their program. Some stay with their mentors, others are referred to other studios, and a few have even opened their own studios. They create music, beats, or samples that are used in video games, television, and film.

The one thing they all had in common when they walked through the 35th Street Studio doors, or any of our more than 250 locations in the United State, was pure passion. Learning how to engineer music isn’t a hobby at Recording Connection, it’s a way of life. Are you ready to Amplify Your Life? Apply today.

Background

Learn from Recording Connection mentor Zack Phillips or one of our mentors in the Bay Area.

Discovering his love of music while growing up in New York City in the ‘80s, Zack Phillips’ approach to music is “part science, part mysticism.” Gaining experience as a DJ and live sound engineer, Phillips received a formal education in audio engineering.

From there, Phillips honed his craft working at several studios before finally establishing his own studio: FreqLab Recording. In addition to recording, editing, mixing, and production, Phillips also works on developing the artists he works with, exploring innovative and inventive ways of engineering audio. Phillips has worked with a wide range of artists, including Talib Kweli, The Kooks, and Blue Hawaii.

You’ll be working in a state-of-the-art facility renovated by Phillips himself. While he made sure to design the studio to get the most out of the space, he also wanted to make it as comfortable as possible for engineers and artists alike.

If you study at the San Francisco Recording Connection, you’ll be working with people as passionate about music as you are. Up and comers, established stars, and other entertainment entities such as Comedy Central or Electronic Arts. But you won’t be watching TV or playing video games – you’ll be coming to work hard every day.

Background

For Andy Shoemaker, Grammy-nominated audio engineer at Rax Trax Recording and Recording Connection mentor, it takes more than being a superstar with the gear. The best audio engineers and music producers also know how to take care of their clients.

“The way young engineers get early opportunities often comes from a situation where they can fill in at a time of need,” he said. “But before I start saying, ‘Hey man, can you do this session?,’ I need to see, technically, they know enough of what they’re doing to trust them enough not to screw up and also that I don’t fear that they’ll conduct themselves in a negative way with a client.”

A bad demeanor on one side of the glass will lead to very little action on the other side of the glass. At the start of your career, musicians don’t come to you – you have to bring them in. Think of it as being a salesperson. You may have the best product, but if you’re lacking in the personality department, you’re not going to be very successful.

“There are people that I think of very highly, like, ‘Man, this guy is great. He knows what he’s talking about,’” Shoemaker said. “But I just don’t know that I can hand him a session because his people skills are a bit lacking. If someone can’t read the artist and interact with them based on what the artist needs, then it isn’t a good fit between engineer and artist.”

It’s About More Than The Gear

With the Recording Connection Audio Engineering & Music Production Program, you’ll learn what you need to know about digital audio workstations (DAW) like Ableton Live or Logic Pro. As Shoemaker explains, however, it’s just one tool. There’s only so much that can be done with sub-par performances.

“So much of the tone comes from the player,” Shoemaker said. “Artists themselves contribute so much more of the tone than we want to give them credit for a lot of times. I think as engineers, it’s easy for us to idolize equipment. It’s easy for us to idolize microphones and preamps and compressors, and those are all really important parts of the chain, but it comes down to the source.

“All those tools are going to help you capture the source in a more interesting or more pleasing way, but they themselves won’t change the source. If you don’t have that sorted out, then you’re going to be struggling with it regardless.”

Get What You Need From A Pro

At a traditional four-year university or trade school, you may get enough experience on a DAW, learn about music theory, or even work with other students to create music. But we feel it just can’t compare with the immersive experience you get when working one-on-one with an industry insider in a real-world setting.

“I went through a traditional four-year style school,” Shoemaker said. “In my final semester, I started an internship and I found that I was learning a lot of things that I’d never learned about in school. I was three semesters in at my school before I was doing some of the stuff that I might have my students do in their first week of the Recording Connection program.

“There are a lot of different audio programs out there. How effective any program is going to be for you personally really depends on what you put into it. You could really dive into any program and get something out of it, but I think Recording Connection provides an opportunity to do that in a different and more efficient way because it isn’t isolated from reality.”

Are you ready to get what you need to Amplify Your Life? Apply to Recording Connection today.