Recording tips from engineers, producers and other
industry insiders.
Miking a Kick
Drum
You can record a kick drum using two mics and have
ultimate control of thickness and punch. Here's how:
- Use a mic that has a high SPL (sound pressure level)
to mic the inside of the kick, close to the head. Move the mic around
to get the best of the "click" of the beater.
- Take a large diaphragm condenser or dynamic mic and
place it two feet in front of the kick (pointing at the drum). Behind
the mic, place a chair or some other sturdy, non-reflective object.
- Take a large "sound absorb" blanket and drape it over
the drum and the chair to create a "tunnel" (the large mic will be at
the end of the tunnel). The blanket steers away the potential mic bleed
from the other drum voices, allowing the large mic to pick up the
distant, "woof" of the kick.
The smaller mic in the kick will pick up the "click" and the distant
mic will provide the "boom." You can sum them to taste to one channel
or record both to separate tracks and blend them during the mixing
process. You can even "time shift" the "woof" track to "time align" it
better with the brighter track. The results can be very satisfactory.
by:
Joey Heier / Dave Giorgio
Crystal Clear
Recording Studio
Philadelphia, PA
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