GLOSSARY
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Early Reflections –The first
echoes in a room, caused by the sound from
the sound source reflecting off one surface before reaching the
listener.
Echo – 1) One distinct repeat
of a sound because of the sound reflecting
off a surface. 2) Loosely, used to mean reverberation (the continuing
of a sound after the source stops emitting it, caused by many discrete
echoes closely spaced in time).
Echo Chamber – 1) A room
designed with very hard, non-parallel surfaces
and equipped with a speaker and microphone. 2) Any artificial or
electronic device that simulates the reverberation created in a room.
Echo Return –An input of the
console, which brings back the echo
(reverberation) signal from the echo chamber or other echo effects
device.
Echo Send –The output of a
console used to send a signal to an echo
chamber or delay effects device.
Echo Send Control –A control to
send the signal from the input module
to the echo chamber or effects device via the echo buss.
Editing – 1) Changing the
sequence of a recording by cutting the
recording tape and putting the pieces together in the new sequence with
splicing tape. 2) Punching in and then punching out on one or more
tracks of a multitrack tape recorder to replace previously recorded
performances. 3) Changing the sequence of a digital recording's
playback by computer program.
Effects – 1) Various ways an
audio signal can be modified by adding
something to the signal to change the sound. 2) Short for the term
Sound Effects (sounds other than dialogue, narration or music like door
closings, wind, etc. added to film or video shots).
Effects Track – 1) In film
production audio, a recording of the mixdown
of all the sound effects for the film ready to be mixed with the
dialogue and music. 2) In music recording, one track with a recording
of effects to be added to another track of a multitrack recording.
Electret - A type of
microphone design, similar to the condenser.
Instead of using a polarizing plate, which requires an external power
supply to operate, there is a permanently charged plate made with an
electret, an acronym for "electricity" and "magnet
Electret Condenser – A
condenser microphone that has a permanently
polarized (charged) variable capacitor as its sound pressure level
sensor.
Electric Current – A more
formal term meaning the same as the term
Current (the amount of electron charge passing a point in a conductor
per unit of time).
Electricity – Electrical
current or the amount of electron charge
passing a point in a conductor per unit of time or voltage - the force
pushing electrons to obtain electrical current.
Electromagnetic Field –
Magnetic energy put out because of current
traveling through a conductor.
Electromagnetic Induction or Pick Up
– The generation of electrical
signal in a conductor moving in a magnetic field or being close to a
changing magnetic field.
Electromagnetic Theory – A
statement of the principles behind
electromagnetic induction: When a conductor cuts magnetic lines of
force, current is induced in that conductor.
Electrons – Negatively charged
particles, which revolve around the
center of atoms. The movement of such electrons down a conductor is
what causes electrical current.
Electrostatic Charge – The
excess or deficiency of electrons in any
given area.
Electro-Magnetic Interference (EMI)
- A type of audible interference
caused by large power current flowing through cables in close proximity
to audio equipment or cables. The magnetic field around the power
cables permeates the audio cables, resulting in undesirable hums or
buzzes. Switching dimmers, fluorescent light ballasts, neon lights,
flicker lights, computers, and RF transmitters are all generators of
EMI. Careful routing of audio cables and adherence to EMC standards can
alleviate the problem. [Audio cables are not the only cables
susceptible to EMI; data cables, often a source of EMI, can also be
adversely affected by EMI.]
Engineer – A technician in
charge of a recording session, often called
a Recording Engineer, is a person with an engineering degree
and/or with sufficient experience in the field to be equivalent to the
education one would receive earning an engineering degree.
Envelope – How a sound or
audio signal varies in intensity over a time
span. It can also refer to how a control voltage varies in level over
time controlling a parameter of something other than gain or audio
level.
Equal Loudness Contours – A
drawing of several curves showing how loud
the tones of different frequencies would have to be played for a person
to say they were of equal loudness.
Equalization – When the
amplitude of audio signals at specific set of
frequencies are increased or decreased more than the signals at other
audio frequencies.
Equipment Rack - A cabinet with
rails (or free standing rails) that
have holes to accept screws at standard spaces and used to house
outboard gear.
Error Concealment – Putting
replacement information bits into a digital
audio signal to replace lost bits when the digital recording or
processing system cannot verify whether the lost bits were l's or 0's.
Error Correct – Exact
replacement of lost information bits in digital
audio.
Error Detection –The process of
discovery that sonic information bits
have been lost in digital audio.
Expander –- A device that
causes expansion of the audio signal.
Expansion – The opposite of
compression; for example, an expander may
allow the signal to increase 2 dB every time the signal input increased
by 1 dB.
Expansion Ratio – How many dB
the output signal will drop for every 1dB
fall in the input signal below the threshold.