GLOSSARY
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Baffles – Sound absorbing
panels that are used to prevent sound waves from entering or leaving a
space
Balance – 1) The relative
level of two or more instruments in a mix, or the relative level of
audio signals in the channels of a stereo recording. 2) To balance or
even out the relative levels of audio signals in the channels of stereo
recording.
Balance Control – A control on
a stereo amplifier that will make the right channel louder or the left
channel softer.
Backbone – The
high-traffic-density connectivity portion of any communications
network. In packet-switched networks, a primary forward direction path
traced sequentially through two or more major relay or switching
stations. In packet-switched networks, a backbone consists primarily of
switches and inter-switch trunks.
Background Noise – The total
system noise in the absence of a signal.
Balanced Mixer – A circuit or
device that generates the sum and difference frequencies of two input
signals.
Balanced Phase Detector – A
circuit that controls the oscillator frequency (afc). RF Phase Detector
Manufacturers
Band – 1) A range of
frequencies, often identified by the center frequency of the range. 2)
One of the selections on a compact disk or DVD. 3) A group of musicians
playing together.
Bandpass Filter – Allows
a narrow band of frequencies to pass through the circuit. Rejects or
attenuates frequencies that are either higher or lower than the desired
band of frequencies.
Bandwidth – Refers to the
width of a communication channel measured as frequency. The difference
between the highest usable frequency of a device and the lowest usable
frequency of the device measured at the half-power points.
Band Track – A song mixdown
without the lead vocal or without the lead and background vocals.
Bandwidth – The range of
frequencies over which a tape recorder, amplifier or other audio device
is useful. Also refers to the number of frequency octaves affected by
an equalization setting.
Bank – A collection of sound
patches, data as to the sequence and operating parameters of the
synthesizer generators and modifiers) in memory. Also refers to a
group of sound modules as a unit. Also, a place to stash your
paychecks.
Bar – A term meaning to
measure, the grouping of a number of beats in music, most-often four
beats.
Barrier Micing – A method of
placing the head of a microphone close to a reflective surface which
prevents phase cancellation.
Basic Session – The first audio
recording session for recording the basic tracks.
Bass Reflex – A type of
loudspeaker cabinet design in which a port, or opening, in the speaker
cabinet enhances bass frequencies. The principle is that the sound wave
pressure generated by the back of the speaker cone inside the cabinet
can be routed out the port at the front of the cabinet, mixed with the
sound coming from the front of the woofer. Changing the port size and
position will greatly change the character of the low frequencies.
Beaming – A phenomenon found in
all loudspeakers in which higher frequencies begin to be projected
straight out of the loudspeaker rather than dispersing. The loudspeaker
would sound as if the device only reproduces high frequencies when
standing directly on-axis. Using horns for high-frequencies helps to
alleviate the problem, and the advent of Constant Directivity horns
improved the problem further.
Bass – 1) The
lower range of audio frequencies up to approximately 250 Hz. A
reference value. 2) A freshwater fish that are caught in
large numbers at various bass tournaments.
Beat – 1) The steady
even pulse in music. 2) The action of two sounds or audio signals
mixing together and causing regular rises &.falls in volume.
Beats - A sequence of
individual beats (in the sense of meter, rhythm,
groove, or riddim).
Beats Per Minute – The number
of steady even pulses in music occurring in one minute and there fore
defining a song’s tempo
Bi-Directional Pattern – A
microphone pick up pattern with maximum pick up directly in front and
directly in back of the diaphragm and the least pick up at the sides.
Biamplification – The process
of having low-frequency speakers and high-frequency speakers driven by
separate amplifiers.
Binary – A
numbering system based on two. In binary there are two symbols used
("l" and "0").
Bit – The smallest unit of
digital information representing a single "0" or 1.
Blending – The mixing together
to form one sound, or mixing the left and right signals together.
Board – Controls also known as
the console which controls all the signals for recording and mixing. 2)
A slang shortening of the term Keyboard Instrument.
Boom – A telescoping support
arm attached to a microphone stand holding the microphone.
Boomstand – A microphone
stand equipped with a telescoping support arm to hold the
microphone.
Boost – To increase gain
at specific frequencies with an equalizer.
Bouncing – Also known as
Ping-Ponging, or playing several tacks with sync playback through a
console to mix and record them together in an open track.
BPM – An abbreviation of Beat
Per Minute, the number of steady even pulses in music occurring in one
minute which defines the tempo.
Breathing – In the audio world, this is the audible change
in level of a signal due to the use of noise reduction or other
dynamics processing.
Brickwall Filter – A
certain type of low-pass filter exhibiting a steep cutoff slope which
resembles a "brick wall." These filters are often found in A/D
converters to prevent aliasing; while they are acceptable for this
purpose their steep slope introduces unwanted side-effects on the audio
signal, such as phase shift.
Bridging – An amplifier
technique whereby a single input is fed to both channels of an
amplifier, and the positive output from both channels is summed into
one, providing more amplifier power than using a single channel.
Bucking – Also known as Phase
Cancellation, bucking refers to the cancellation of one signal or
part of a signal by another signal with equal amplitude but opposite
polarity. This term is more commonly found in reference to musical
instruments and used by musicians than "phase cancellation.
Bulk Dump – Short for System
Exclusive Bulk Dump, a method of transmitting data such as the internal
parameters between MIDI devices.
Buss/Bus – A wire carrying
signals to a designated place, usually fed from several sources.
Byte – Information bits in a
grouping of eight.