![]() |
WHAT A
|
MUSIC PRODUCING CAREERS IN THE MUSIC BUSINESS
Music these days is usually a collaboration between the artist, the audio engineer and the music producer. When everything is going smoothly, the music producer's job is easy. However, that is rarely the case in the real world, and this is where the music producer needs to shine. In the real world there are normally budgetary limits on studio time, artists who keep messing up their tracks, and equipment glitches and studio gremlins that pop up at the most inopportune times. It is at these times that the music producer needs to be a problem solver and a decision maker, because bottom line, the producer is responsible for the finished music track. Needless to say, the better the artist and recording engineer, the less work there is to do for the music producer.While the exact role of a music producer will change from project to project, there is a certain skill set that every music producer should be accomplished in. The Recording Connection audio engineering and music producing course has been designed from the ground up to establish and enhance this skill set by putting you in real recording sessions where all of these skills will be called upon.
- A producer needs to be a people person. The recording studio is a small space inhabited by talented, creative people in a stressful situation--the music producer is responsible for getting the most our of everyone involved; whether cajoling the singer to give it one more try, to tactful suggestions to the the engineer on how to get a desired effect.
- A producer needs to know music and music theory so he can clearly and convincingly convey to both the artistic and technical talent the idea he is trying to get across. Often, the music producer is a talented musician in their own right, having mastered at least one instrument. The producer should also be familiar with a wide variety of music styles and genres. A good working knowledge of local studio musicians is quite often necessary as well.
- A producer needs to know the songwriting process. They must
be able to arrange, score, orchestrate, as well as direct and conduct
musical ensembles.
- A producer needs to know the recording process. They must
know the equipment and what it's capable of and how to get the sound
they are looking for. This includes a working knowledge of sound
effects, sampling, sequencing and other engineering techniques right
through the editing, mixing and mastering process.
STUDENT SUCCESS STORY
Recording Connection graduate
Preston Boebel thought we were too good to be true until he visited
Clear Lake Audio recording
studios in Los Angeles for his interview with audio engineer and studio
owner, Brian
Levi. He knew from that moment that this was what he wanted
to do and where he wanted to do it. Upon graduation, he was hired
by Brian to be the assistant engineer. It didn't take long before he
was promoted to Chief Engineer. Since then, he has worked as the
audio engineer on
projects for White Snake, Quiet Riot, Dishwalla, Usher and many
more. More importantly, he's recently served as the music
producer on many jazz, rock, pop, blues
and hip hop tracks. He's even worked on movie sound tracks
including "Doom." Preston is the perfect example of what it
takes to make it in the music business. The Recording Connection
gave him the SAME OPPORTUNITY we give every student who takes our
course--HE MADE SOMETHING OF THE OPPORTUNITY. For
the full Preston story, click here.Preston Boebel
Audio Engineer and Music Producer
Recording Connection Graduate
Los Angeles, California

Learn Music Producing From Pro Music Producers
Learning From A Pro
|
Brian Levi
discusses the Recording Connection audio engineering and music
producing curriculum and why
it has proved to be so successful in finding employment opportunities for graduates
in the music business.


it has proved to be so successful in finding employment opportunities for graduates
in the music business.











